《光影交错：人性善恶的黑泽明探索》无人区乱码一线二线忘忧草

　　Chris Marker's elliptical, oblique documentary on the making of Akira Kurosawa's "Ran" is an uneasy blend of hagiography (usual Cahiers du Cinema stuff) and Marker's trademark meditations on the mediating role of technology in memory and the human experience, plus probably aging, and etc., etc., etc. These Gallicisms seem out-of-place; but the philosophies are easily discarded.... (展开全部)