眉目之间，似有千言万语。プリンセスナイト☆カチュア

　　After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem abou... (展开全部)