《探索意境：伊藤梅久的艺术之旅》末世男60年代生活

　　Interior and exterior, transparency and opacity, exhibitionism and voyeurism, lightness and heaviness, feminine and masculine: all these notions either oppose or unite in the infinite cycle of a labyrinth with no way out. Japanese art is seen as if through a kaleidoscope, trapped inside fractal architectures composed of walls, frames, posts and beams in geometric latticework.