《迪兰·莫兰：怪兽背后的幽默与黑暗》步步高s3

　　No music reviewer would make a career writing about pianists solely from repeated performances of a single concerto, nor any pianist out of playing just the one piece. Yet sometimes writing about stand-up comedians can feel worryingly like this. They all hit more or less the same notes: London... young people... children and parenthood... today's dreadful music... religion... g... (展开全部)