《用血肉之躯：阿达姆森的生与死》探讨生命的脆弱与奋斗的意义，引人深思。把她放在马背的玉势上

　　From his early years as the son of a silent screen cowboy, through the production of some thirty lurid, low budget exploitation pictures including SATAN'S SADISTS, DRACULA VS. FRANKENSTEIN, BRAIN OF BLOOD and THE NAUGHTY STEWARDESSES, to his bizarre and grim demise, the story of filmmaker Al Adamson is told through first person recollection from colleagues, friends, family and ... (展开全部)