小丽丝在阳光下微笑，花香弥漫四周。坐在叔叔的硬硬的上面写作业文章

　　Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening 　　and closing with soulful afro-Latin strains, something just above silence reigns throughout 　　the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting 　　that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an 　　atmospheric wh... (展开全部)