《光与声机器使用指南：优化操作与应用技巧》倚天屠龙记九阳神功

　　Tscherkassky concentrates on central motifs from Sergio Leone’s classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero’s head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and sudd... (展开全部)