灵魂共鸣夜。带球跑后我生下了史前恐龙

　　Bergman's fourth production of Strindberg's play. Bergman presented Old Man Hummel as the mastermind in a web of crimes and lies. His hands covered in bloody rags, perhaps a reference to the murder he once committed and possibly also to Strindberg himself, who suffered from psoriasis while writing the play. 　　There were other biographical allusions in the production: an image of ... (展开全部)