海边的马努，阳光下的追逐梦。资助中心

　　这部怀旧的影片是导演对思念之人及即将思念之人，对实物及虚构的告白。我们所爱之人的离去最为真实，也最为超现实。这就是生命：梦境与生活同时进行。虚构存在的意义就是调停梦境与生活。 　　This nostalgic movie is my love letter to the people I miss, to the ones I will miss, to objects, to fiction. Nothing is more real than the loss of someone we loved and yet there is nothing more surrealistic. And that's life: we dream about it and live it at the same time. Fiction exists to ... (展开全部)