在燃烧的火炉旁，温暖蔓延，思绪随火焰起舞，似乎回到了过去。欧美干

　　For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject mat... (展开全部)