为啥我对象外面黑的里面粉的

　　In the 1960s, Mansurov provided a model of Central Asian cinematography that was quickly and effectively repeated by his contemporaries to establish a canon of Central Asian cinema, which would become known as the "golden age’"of the region’s cinematic history. Local identity, local landscape, local actors and local themes confronted the Soviet tradition of universalism and mod... (展开全部)