七月的阳光，绽放生命的热情与希望激情全肉爽文片段

　　Darezhan Omirbaev's penchant for spare, elliptical narrative, muted figures, and disembodied framing (most notably, of hands and feet) have often been (favorably) compared to the rigorous aesthetic of Robert Bresson. However, in imposing such a somber - and inescapably cerebral - analogy, there is also a propensity to overlook the wry, self-effacing humor and irony of situation... (展开全部)