小丽丝在阳光下快乐地跳舞，心情无比欢畅。一笑倾城之极品系统

　　Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening 　　and closing with soulful afro-Latin strains, something just above silence reigns throughout 　　the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting 　　that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an 　　atmospheric wh... (展开全部)